★★★★★ - Perfectly absurd It’s panto. It’s Macbeth . It’s Panto Macbeth . What more do you want? With an ensemble comprised of students...

Sam Blythe: Method in my Madness is an experimental one-man Hamlet that ultimately creates more questions than it answers.

The Yorick of Hamstrung is a being as existential as the appearance of his skull at a pivotal moment in Hamlet’s crisis deserves.

Young Edinburgh Storytellers hold their audience rapt with TÁIN, a much-condensed adaptation of Ireland’s most famous epic tale.

A dynamic, physical, ensemble-centred production of Shakespeare’s sprawling history that aims to impress upon its audience the “bloody cost

Malevolent, malicious, malcontent: Malvolio. But is he?

C Theatre’s The Wind in the Willows is a charming, delightful retelling of Kenneth Grahame’s classic children’s novel.

Director Emma King-Farlow’s script strips Macbeth back to the nuts and bolts, cutting scenes and characters with ruthless efficiency.