After Shakespeare: Richard III succeeds only in making a rather boring play out of what was an extraordinary life.

★★★★★ - Sans nothing It’s a popular image of Shakespeare: the great Bard, bent over his desk, quill flying over parchment as he composes...

★★★★★ - Perfectly absurd It’s panto. It’s Macbeth . It’s Panto Macbeth . What more do you want? With an ensemble comprised of students...

Sam Blythe: Method in my Madness is an experimental one-man Hamlet that ultimately creates more questions than it answers.

The Yorick of Hamstrung is a being as existential as the appearance of his skull at a pivotal moment in Hamlet’s crisis deserves.

A thinly veiled response to the Play on! Project announced by Oregon Shakespeare Festival in 2015

A dynamic, physical, ensemble-centred production of Shakespeare’s sprawling history that aims to impress upon its audience the “bloody cost

Malevolent, malicious, malcontent: Malvolio. But is he?

Director Emma King-Farlow’s script strips Macbeth back to the nuts and bolts, cutting scenes and characters with ruthless efficiency.